WHEN HORROR CAME TO SHOCHIKU: ECLIPSE SERIES 37 (THE CRITERION COLLECTION)

Details

• Genre: Drama
• Plot: Following years of a certain radioactive beast’s domination at the box office, many Japanese studios tried to replicate the formula with their own brands of monster movies. One of the most fascinating, if short-lived, dives into that fiendish deep end was the one by Shochiku, a studio better known for elegant dramas by the likes of Kenji Mizoguchi and Yasujiro Ozu. In 1967 and 1968, the company created four certifiably batty, low-budget fantasies, tales haunted by watery ghosts, plagued by angry insects, and stalked by aliens—including one in the form of a giant chicken-lizard. Shochiku’s outrageous and oozy horror period shows a studio leaping into the unknown, even if only for one brief, bloody moment.; ; THE X FROM OUTER SPACE (Uchu Daikaiju Girara); When a crew of scientists returns from Mars with a sample of the space spores that contaminated their ship, they inadvertently bring about a nightmarish earth invasion. After one of the spores is analyzed in a lab, it escapes, eventually growing into an enormous, rampaging beaked beast. An intergalactic monster movie from longtime Shochiku stable director Kazui Nihonmatsu, The X from Outer Space was the first in the studio’s short but memorable cycle of horror pictures.; ; GOKE, BODY SNATCHER FROM HELL (Kyuketsuki Gokemidoro) ; After an airplane is forced to crash-land in a remote area, its passengers find themselves face-to-face with an alien force that wants to possess them body and soul—and perhaps take over the entire human race. Filled with creatively repulsive effects—including a very invasive bloblike life-form—Hajime Sato’s Goke, Body Snatcher from Hell is a pulpy, apocalyptic gross-out.; ; THE LIVING SKELETON (Kyûketsu dokuro-sen) ; In this atmospheric tale of revenge from beyond the watery grave, a pirate-ransacked freighter’s violent past comes back to haunt a young woman living in a seaside town. Mixing elements of kaidan (ghost stories), doppelganger thrillers, and mad- scientist movies, Hiroshi Matsuno’s The Living Skeleton is a wild and eerie work, with beautiful widescreen, black-and-white cinematography.; ; GENOCIDE (Konchu daisenso) ; The insects are taking over in this nasty piece of disaster horror directed by Kazui Nihonmatsu. A group of military personnel transporting a hydrogen bomb are left to figure out how and why swarms of killer bugs took down their plane; the answer is more deliriously nihilistic—and convoluted—than you could imagine. Also known as War of the Insects, Genocide enacts a cracked doomsday scenario like no other.
• Runtime: 5:36
• Media Format: Movie